Lost Sphear

Even if it falls short of becoming a worthy successor to the likes of Chrono Trigger, Lost Sphear really does capture the essence of classic role-playing games in a lot of ways. When it's not bogging itself down in overwrought mechanics, this RPG really can spark a sense of nostalgia. Its writing, environments, battle system, and music all evoke the best moments of bygone days. And even if it doesn't quite hit the heights it aspires to, it does a fine job of rekindling some fond memories.

Tokyo RPG Factory's follow-up to I Am Setsuna improves on the first game's combat, but feels like a by-the-numbers RPG in other areas.

Lost Sphear is a more ambitious JRPG than its predecessor, yet it risks abandoning its purpose to return to the genre's simpler days.

Bland and unambitious save for its combat, Lost Sphear draws so heavily from the traditions of past JPRGs that it fails to build a personality of its own.

If you had asked me just two weeks ago to name the biggest storytelling sin a game could commit, I would have told you it was making players ask questions without giving them a reason to care about the answers. Ask me today and I'll tell you something different. Lost Sphear buried me under convoluted logic and explanations, lore and jargon, only to cast it aside with a shrug whenever the details were inconvenient to the action. It answered my questions, but in ways so fundamentally disconnected and absurd that I regretted even caring in the first place.

The combat is fun and the plot takes some interesting turns, but that doesn't change the frustrating design and tediousness

Lost Sphear is a colorful, charming game, and does a pretty good job of triggering the nostalgia folks like me have for SNES RPGs of their youth. It just doesn't quite reach the heights of the titles it's influenced by. There's nothing wrong with it, but by trying to be everything to everybody, Lost Sphear becomes sort of a pastiche of other RPGs rather than something which will be remembered for its own merits. I've certainly enjoyed my time with the game, and I think it's worth playing. But I know deep down that in a few years I'm far more likely to replay Chrono Trigger for a twentieth time than I am to come back to Lost Sphear.

A less focused outing than its predecessor, Lost Sphear gets lost amid its various, undercooked systems, and it fails to successfully consolidate its many inspirations. It's a pleasant enough game with a nice aesthetic, but we doubt we'll be looking back on this one with too much sentimentality.

There's little in Lost Sphear that you haven't seen before in JRPGs, but that doesn't mean it's a title to be dismissed out of hand. If you can look past the clichés, Lost Sphear presents an engaging world, deep battle system, and plenty of replayability which will likely delight many an RPG fan. Tokyo RPG Factory has proven with this release that it's capable of learning from past mistakes, and though Lost Sphear still might not be the game to surpass Chrono Trigger, it proves itself to be worthy of that legacy. We'd recommend Lost Sphear to anybody who loves a focused, traditional RPG; it may be priced a little high, but this is an enjoyable experience that fans won't want to miss out on.

Tokyo RPG Factory plays it safe in this follow-up to I Am Setsuna, which isn't necessarily a bad thing.