Battlefield Hardline

Battlefield's first foray into stealth makes for a fresh campaign, and the multiplayer has something for everyone.

As Battlefield leaves the battlefield, Visceral Games tailors the series' distinct vehicular-based multiplayer for the crime-ridden streets of Miami and L.A. with mostly positive results.

Hardline is a solid entry in the series, and the fact that it seems to have launched without technical issues is notable though not really something that should need to be commended. It's doubtful that it will end up as more than a stopgap for fans, however.

A hard campaign (if you play on the hardest mode) and breakneck multiplayer are a good time, if often infuriating.

In areas where Battlefield has always excelled and pushed forward, Hardline presents experiments, rather than refinements or fixes. The result is multiplayer that feels very familiar, very quickly. But its campaign, while feeling not completely sure about what it wants to be, is more interesting and certainly all-around better than the last few years' worth of Battlefield games.

While it doesn't feel as vital as Battlefields past, inventive new multiplayer modes and a fresh, if slightly unfocused campaign make Hardline the worthy TV spin-off to DICE's big budget blockbusters.

Skip the single-player campaign and jump straight into the refined multiplayer

There are some who can dominate Battlefield's multiplayer with an Olympian efficiency, but the overwhelming majority are marooned in the middle, where the concussive sound of bullets and the smoldering plumes left by grenades aren't signs of domination but reminders that you're still on your feet, not dominating the world, but surviving in it for another few seconds. There's genuine awe in these moments, a beauty particular to video games, demanding respect for scale and the necessary investment of thought, coordination, and time to accomplish simple acts like moving a duffel bag from A to B. It's a poetic antithesis of the game's story mode, proof that order can more easily come from conflict than from conflict's preemptive repression.

Battlefield: Hardline is a stupid game. I quite like it.

While Hardline is tone deaf at times, mostly it is just deafening. Explosions and bombast are used not to distract from a troubling narrative as much as a stale one perfunctorily paced and reminiscent of network television emptiness.